kevin yost remix! mark grant (blackstone, us) very nice!!!! ralf gum (gogo music, ger) >nice solid vocal house tune. all mixes are quality, and my fav is kevin yost s interpretation. full support.< lars behrenroth (deeper shades of house | xm radio) charted! greg kozo (paris) a1: wow ! !sound great ! !supa ultra deep, great production and great vocals ! ! could be one of the wmc anthem ! ! will play it for sure on our store !erik rug (fra) a1: main vocal (8:28) great love song , i ll play it in club. will also give it radio play. im a fan of gerideau.. b2: karu remix really into that electroey version..it works damn fine. (waxgroove mix/radiofg mondays). lewis dene (uk) pure class mate... gregory del piero (san francisco) yo henry, the kevin yost mis is the one doing it for me, great remix like always with kevin, i always buy anything that is putting out thx for sending it out and good luck with it dj fudge (fra) and thanks for the promos it s sounds great i like very much the gerideau specialy the harley and muscle mix

grandioser titeltrack von erik moeller aka unai !!

limited one sided promo edition ,already supported by: deep dish, pete tong, roger sanchez, erik morillo, eddie amador, sander kleinenberg, steve mac, phats & small, dj paulette, jonathan ulysses, antoine clamaran, robbie rivera …. damians latest single and his phattest to date! your chance to get the super rare one sided edition!! it has already been a huge hit in ibiza this year!

old school flavour in this second choke..on board are erik bezzier & michael kugel..tobias k..carsten fietz and byron boguess..

to find lawkyz, follow the beat. it is here, in this vital part, this lighthouse which guides the route of the other instruments, which it prints in depth the low notes of his four strings. riveted on the drums. linking with it a rhythmic pact, ensuring the propulsion of the groove on stage with erik truffaz or guts, on records with uht ¡, anna kova, or versus, his hip hop project with full live band. when he puts his fetish instrument, when he lets cool his amp, then wakes up his evil twin: the waxidermist. one year after his last ep, the waxidermist comes back to tell his story.

suction records is proud to present the 2nd full-length release from rx-101, showcasing a selection of standout cuts from dutch producer erik jong s vast archive of previously-unreleased techno, idm, acid, and electro, recorded to cassette from 1997-1999. as with rx-101 s 2016 debut lp, like yesterday, which was compiled from his 1st two vinyl eps, transmission compiles material from his recent 12-s, ep 3 and ep 4, adding four bonus exclusive tracks. mixing the high-octane, fuzzed out 303 acid techno of ep 3 with the crunchy, melodic electro and idm of ep 4, transmission emerges as a fierce, yet surprisingly cohesive journey into late 90s electronix, and belongs in the collection of any discerning fan of warp records or aphex twin s celebrated 90s catalogs.

suction records is thrilled to present the debut archival album release by rx-101, a bedroom techno producer from the netherlands, erik jong. -like yesterdays- compiles 10 tracks from rx-101 s first two vinyl-only 12- eps, together with three cd/digital album exclusives. this previously unreleased material dates from 1997-1999, recorded live to cassette in a feverish burst of creativity, utilizing a small arsenal of classic techno instruments. here s rx-101 in his own words: -from childhood i loved dance music. in the 80s one of my older brothers always recorded mixes from the radio and we always listened to that. my other brother and sister took music lessons in electronic organ and when i was about 9 years old i did the same. i quit when i was 14. from childhood i was fascinated by synthesizers. in the late 80s i started more and more listening to dance and house music and it was 1991 when i started listening to techno from labels like underground resistance, transmat, metroplex, +8 records and warp

infine prŠsentiert einen bezaubernden release zwischen moderner klassik und spooky electronica. der mexikanische ambient-pionier fernando corona aka murcof und die mehrfach ausgezeichnete franzšsische pianistin vanessa wagner zelebrieren ihre gemeinsame liebe zum minimalismus. auf dem album statea interpretieren die beiden ausnahmekźnstler werke von arvo pŠrt, philip glass, john cage, ligeti, erik satie und aphex twin und eršffnen so eine neue perspektive auf diese werke.

seven davis jr. presents his new curated compilation future society on r2.

following two ep releases on delusions of grandeur the time felt right for thatmanmonkz to get working on his debut lp. the sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own shadeleaf label as well as remixes and productions for the likes of classic, kolour ltd and kons startime. with his first musical love being hip hop its easy to understand how his approach to house turns out so refreshing.

opolopo is back with his new album superconductor out on z records.

32 exclusive tracks from the last ten years!

incl. timewriter !!

nikki beach mixed by atfc is the second in a series of album collaborations between the worlds leading independent house music label and one of the most exclusive and surprising clubs on the planet. compiled from breathtakingly up-front material, atfc pulls in brand new cuts and remixes from ben westbeech, noir, osunlade, green velvet and ame as well as dropping two of his own tracks yet to see the light of day.

special kind of fool is tys story. the tale of an artist who after ten years,three critically acclaimed albums (awkward 2001, upwards 2003, closer 2006), collaborations with the likes of tony allen, de la soul, damon albarn and estelle, a mercury nomination amongst other accolades, and a worldwide army of fans, has always followed his heart.

final song goes to the very heart of musics spiritual dimension by asking a number of musicians to select their ideal last song, either to serenade their final moments or to memorialize them after the fact. the participating artists deserve to be commended for their openness: theyre responding to one of the most personal questions one could ask. (several of those approached declined to take part- taboos are taboos, after all.)